With all our talk about race, much of the conversation and its attendant activity has been emotive rather than analytic. Theorizing race has yet to catch up with all the personal, albeit necessary, reflections in classrooms and professional outlets. The aim of Race, Rhetoric, and Composition is to speed things along.This volume is perhaps the most important and significant contribution yet made in rhetoric and composition to critical race studies. Eschewing conventional conversation about multiculturalism, these writers incorporate both materialist and less economically explicit analyses to examine, instead, some of the constructed qualities of race. They consider the historical interplay of race and language, and current examples of racialized discourse-ranging from Indian-ness to Orientalism to whiteness formation to Black aesthetics. At the same time, these authors provide practical guidance on addressing issues of race in the classroom, which writing instructors will find immediately useful.It was Gilyards goal from the start to provide a modest collection of aligned yet flexibly critical articulations about race, rhetoric, and composition. As such, his book is an excellent supplement to graduate texts. But there are no prerequisites for using Race, Rhetoric, and Composition other than a general curiosity about race talk in public discourse and about connections between race and college composition.